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David Batchelor (born July, 17th, 1955, Dundee) is a Scottish artist, writer, and a Senior Tutor in Critical Theory in the Department of Curating Contemporary Art at the Royal College of Art in London. ==Life and work== David Batchelor studied Fine Art at Trent Polytechnic, Nottingham (1975–8), and Cultural Theory at the Centre for Contemporary Cultural Studies, Birmingham University (1978–80). He has exhibited widely in the UK, continental Europe, the United States and Latin America; written two books, ''Minimalism'' (1997) and ''Chromophobia'' (2000), is the editor of ''Colour'' (2008) and contributed to a number of journals including Artscribe, Frieze (magazine), and Artforum. David was a member of Tate Britain Council from 2002-5, an advisory body on development and programming at Tate Britain. He has shown work internationally in many exhibitions including the British Art Show at SNGMA in Edinburgh, ''Days Like These: Tate Triennial of Contemporary Art'' at Tate Britain, the 26th São Paulo Biennale, ''Extreme Abstraction'' at the Albright-Knox Art Gallery in Buffalo, the Folkestone Triennial in Folkestone and ''Color Chart: Reinventing Color, 1950 to Today'' at the Museum of Modern Art in New York and Tate Liverpool. He is represented by (Ingleby Gallery ) in Edinburgh and Galerie Leme in São Paulo. David Batchelor has made colourful lightbox installations using salvaged bits and pieces from the streets of London. Batchelor takes industrial debris – trolleys, shelving units, factory scrap – and transforms them into frames to hold assemblages of neon, perspex and found shopfront signs. Two of his works are held in the collection of Tate.〔(tate.org )〕 He is the brother of Buddhist scholar and author Stephen Batchelor. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「David Batchelor (artist and writer)」の詳細全文を読む スポンサード リンク
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